Markers that land in the edit.

Tap a button when something happens. Get it back in Premiere as a marker already sitting on the right frame.

How it works

Point your phone at the camera’s monitor once. SyncMarkr reads the timecode off the display and runs its own clock from there, so every marker you tap carries real source timecode — 01:14:22:08, not an offset from something.

Afterwards, import from the card. Files carry their own start timecode, so a marker resolves to a frame with no waveform alignment and nothing to line up by hand.

What it’s for

• Long shoots where the interesting parts are minutes apart
• Sport, performance, events — anything you cannot re-stage to get a second take
• Handing an editor a session they can cut without watching all of it

It deals in sessions and markers. It doesn’t know what you are filming and doesn’t need to.

Status